I had some leftover yarn from the last sweater and I couldn’t resist making Mowgli a tiny dog sweater… There were some unique fit challenges involved in the design of this one, and I got to try out some new steek finishing techniques without risking a whole human sweater. I’ve never had to worry about the …
Tag Archives: feature
November: The tiger
In 2021, I began embroidering one 4-inch hoop a month. This hoop is from November. I returned to drawing inspiration from a photo and chose this one because I was interested in imitating the texture of the fur. View on Instagram
Private Events
Shena regularly performs her cyr wheel number at private events.
Branché
Branché, US Tour
Street shows
Clowning with traffic cones
Hand-tooled leather pouches
@magmadar1753 of @blackhenstudio introduced me to two new materials I hadn’t tried working with before: leather and metal. With Mike’s expert guidance, I got the chance to make two leather needle pouches (dyed with indigo and black walnut) and a metal plant hook! View on Instagram
Row houses in St. John’s, NL
View on Instagram In 2021, I began embroidering one 4-inch hoop a month. This hoop is from October. After spending the previous months trying to replicate either photos or other painters’ work, I decided it was time to base an embroidery off of one of my own doodles. I wanted to make something a bit …
Indigo-dyed handknit sweater
Thanks to @blackhenstudio for introducing me to the wonders of fresh-leaf indigo dyeing. Pattern: #irishroverpullover by @tetisknitgarden View on Instagram
August: Franklin Carmichael’s ‘Lake Wabagishik’
View on Instagram In 2021, I began embroidering one 4-inch hoop a month. This hoop is from August. After completing the Red Canna in July, I found that studying painters’ brushstrokes was a good way to identify stitch direction and create texture and depth.
July: Georgia O’Keefe’s ‘Red Canna’
View on Instagram In 2021, I began embroidering one 4-inch hoop a month. This hoop is from July, when I decided to learn by copying from an already existing painting. I chose Georgia O’Keefe’s Red Canna because I could directly apply the stitch direction and blending exercise I had taught myself in the June embroidery.